Not a Landscape, 2017
Not a Landscape, 2017

Site specific installation. Charcoal and laser print collage on paper. This piece is made with drawings and photographs of polluted landscapes found in the rural area of Bayamon, Puerto Rico.

Leidy and Riggs Galleries. Baltimore, Maryland.

Not a Landscape, 2017 (detail)
Not a Landscape, 2017 (detail)
Not a Landscape, 2017 (detail)
Not a Landscape, 2017 (detail)
Not a Landscape, 2017 (detail)
Not a Landscape, 2017 (detail)
Not a Landscape, 2017 (detail)
Not a Landscape, 2017 (detail)
Reserva, no más, 2017
Reserva, no más, 2017

Drawing with wire, polyethylene and cord installed on a wooden wall with acrylic paint.  77” x 32” x 14"

Reserva, no más, 2017 (detail)
Reserva, no más, 2017 (detail)

The Accidental Landscapes are a series of landscapes constructed based on impressions of real landscapes that have been affected by the hand of the man, the industrialization and pollution of green zones or coastal areas in Puerto Rico. Reserva, no más (Reserve, No More) (2017)  reflects one of the affected and bleached reefs of the east coast of the island. This is a reaction of an expedition that I had on the Cayo Luis Peña Reserve in Culebra Island, Puerto Rico.

Reserva, no más, 2017 (detail)
Reserva, no más, 2017 (detail)
Reserva, no más, 2017 (detail)
Reserva, no más, 2017 (detail)
Topografía del Bejuco (Topography of the Bejuco), 2017
Topografía del Bejuco (Topography of the Bejuco), 2017

Installation with wire, polyethylene, cord and paper. 36" x 120" x 41"

Topografía del Bejuco (detail), 2017
Topografía del Bejuco (detail), 2017

Installation with wire, polyethylene, cord and paper. 36" x 120" x 41"

Topografía del Bejuco (detail), 2017
Topografía del Bejuco (detail), 2017

Installation with wire, polyethylene, cord and paper. 36" x 120" x 41"

Topografía del Bejuco (detail), 2017
Topografía del Bejuco (detail), 2017

Installation with wire, polyethylene, cord and paper. 36" x 120" x 41"

Not a Landscape, 2017
Not a Landscape, 2017 (detail)
Not a Landscape, 2017 (detail)
Not a Landscape, 2017 (detail)
Not a Landscape, 2017 (detail)
Reserva, no más, 2017
Reserva, no más, 2017 (detail)
Reserva, no más, 2017 (detail)
Reserva, no más, 2017 (detail)
Topografía del Bejuco (Topography of the Bejuco), 2017
Topografía del Bejuco (detail), 2017
Topografía del Bejuco (detail), 2017
Topografía del Bejuco (detail), 2017
Not a Landscape, 2017

Site specific installation. Charcoal and laser print collage on paper. This piece is made with drawings and photographs of polluted landscapes found in the rural area of Bayamon, Puerto Rico.

Leidy and Riggs Galleries. Baltimore, Maryland.

Not a Landscape, 2017 (detail)
Not a Landscape, 2017 (detail)
Not a Landscape, 2017 (detail)
Not a Landscape, 2017 (detail)
Reserva, no más, 2017

Drawing with wire, polyethylene and cord installed on a wooden wall with acrylic paint.  77” x 32” x 14"

Reserva, no más, 2017 (detail)

The Accidental Landscapes are a series of landscapes constructed based on impressions of real landscapes that have been affected by the hand of the man, the industrialization and pollution of green zones or coastal areas in Puerto Rico. Reserva, no más (Reserve, No More) (2017)  reflects one of the affected and bleached reefs of the east coast of the island. This is a reaction of an expedition that I had on the Cayo Luis Peña Reserve in Culebra Island, Puerto Rico.

Reserva, no más, 2017 (detail)
Reserva, no más, 2017 (detail)
Topografía del Bejuco (Topography of the Bejuco), 2017

Installation with wire, polyethylene, cord and paper. 36" x 120" x 41"

Topografía del Bejuco (detail), 2017

Installation with wire, polyethylene, cord and paper. 36" x 120" x 41"

Topografía del Bejuco (detail), 2017

Installation with wire, polyethylene, cord and paper. 36" x 120" x 41"

Topografía del Bejuco (detail), 2017

Installation with wire, polyethylene, cord and paper. 36" x 120" x 41"

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